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The Publishing Market is Changing: Are You Ready?

Courtesy of Pixabay

Let’s face it, every market is saturated. Every market requires entrepreneurs to be able to adapt to an ever changing market. Refusal to do so could result in a massive loss of sales.

We will be brutally honest. The market is becoming harder for Indie authors to get a foothold in the publishing industry. Doors once open are now closing due to a lack of care in editing, cookie cutter plots and just downright bad writing. By no means are we saying it’s impossible but you must be willing to accept some hard truths.

In a recent article we came across published by Author Publisher magazine titled The 10 Major Publishing Trends of 2018ten of the major shifts in the publishing market were outlined.

To begin, if you’ve been in the self-publishing or writing industry in general, you have become aware of the recent acquiring of Amazon’s KDP rigorous changes in rules for getting and keeping reviews.

Amazon’s new policies have made it to where if they find one hint a person leaving a review knows you in any way, your review will be deleted.

What does this mean to the market? It means that authors will have to get smart and reach further into methods they may not traditionally have used in order to reach more readers and build a readership.

The truth may be harsh, but here it is.

Authors have to realize that writing with the goal of reaching any sort of publishing deal, must treat their writing as a business. You are a brand if you produce a product. Apple is not only known for its products but also its logo and as a brand trusted by a vast amount of consumers willing to pay hundreds of dollars to make sure they have the newest model.

You may have also noticed, traditional publishers are becoming much more selective to unsolicited manuscripts. They are tightening their reins and requiring authors to reach out to agents in order to pursue contracts with them. Agents are harder to come by (at least those who are accepting queries) and often make authors wait long periods of time before inevitably rejected them.

The types of books — audio, ebook, paperback, hardback, etc — are becoming more widely distributed in a constantly fast-paced world. A few years ago, one might have been able to produce only ebooks but once again, there’s a shift.

Readers are shifting back to desiring to hold a paperback version of the books in their hands. Book bloggers are no longer accepting “self-published” books.

Paranormal romance (or the romance genre in general) books are a saturated, yet highly demanded genre, but one must see the underlying cry for thrillers, horror and mystery. The market is once again showing a subtle shift. One merely must go to Amazon and search through the best sellers to see what the highest ranking titles are.

Best seller rank on Amazon is no longer entirely dependent on reviews. We have seen many authors who have been able to play the AMS system so well, they break the traditional trends of publishing and are reaching the top seller list with as little as three reviews. For example, Bella Forrest’s A Shade of Vampire 68: A Purge of Nature.

Reviews are a great indicator for customers to understand what they’re buying, by no means am I saying they aren’t important. I’m saying obtaining best-seller’s status is no longer solely dependent on them.

Although these shifts might be terrifying in nature, especially to young authors or authors just now getting feet wet in the industry, it is a necessary part of economics and commerce. Those who fail to shift will be weeded out, thus leaving the market to grow with those who followed the marketing shifts.

However, adapting is a part the economy, the economy is built of those who fail, learn, adapt and start anew.

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Querying: What You Need to Know Right Now

Querying. The word of shaking bones, chattering teeth and chewing on nails as you wait for the agent or publisher to respond. Hours upon hours, days upon days…well, you get the idea.

As we said in a previous article (featured in NaNoProMo) about pitching, the publishing world is an absolute struggle. Agents and publishers are getting over-run with queries from authors wanting to publish their latest literary masterpieces. It is so easy to get lost in the nightmare known as the “slush-pile.”

Recently, FyreSyde had the privilege of opening our doors to the authors looking for a publisher who doesn’t require an agent. We received a total of almost fifteen queries in a short span of time (and that’s just the emailed ones).

Why is this number important? Because, it shows just how busy a publishing company can be and how many queries we receive (in just a month!).

Something we noticed in this submission period is how important it is for authors to be well-aware of what their publisher expects and to follow their rules for querying to avoid automatic rejection. Your publisher (or agent) should never have to instruct you on how to query them.

Let’s begin.

What Is a Query?

Look at a query the same way you look at a job application. You’re selling yourself to your potential employer by telling them a little about you, your work history, achievements, etc. What they don’t want is to be blasted with how much of a god-send you are to their company (more on how this applies to books later).

The query is pretty much the same thing. It includes:

  • If you know the agent or publisher from somewhere (a connection) then tell them. If not, don’t.
  • The title and genre of your book (maybe include the word count as well)
  • A bit about your story (main characters, etc)
  • Who you are as an author
  • Any achievements, experiences, etc that you have gotten

1. Connection to the Agent or Publisher:

What do we mean by connection? Did you meet the agent at a conference? Were they recommended to you? Maybe you heard they liked a certain genre or sub-genre somewhere? Anywhere you might have heard of them, let them know. It creates a rapport and can help with the querying process.

FyreSyde loves to know where people found or heard of us. We often ask to get a feeling about the person and what they’re looking for in a publisher. An agent (or publisher) might want to know the same thing.

2. The Title, Genre and Word-count of Your Book

Yes, we want to know these things. They can often be a good selling point or help us in deciding if we want to pursue a contract.

Almost every publisher includes a list of genres they’re looking for, what they aren’t looking for and what they’re very picky with. Taking the time to learn these things can help you (the querying author) avoid serious heartache. It also gives you an understanding of the current literary market.

FyreSyde also has a word-count limit, as do many others. This helps us not only in printing costs but also to check and see if the book is marketable to our readers. Longer books tend to be cumbersome so we put a limit of 95K on our submissions (look for a later blog post on “over” and “under” writing, coming soon). Being aware of these can help an author do some final revisions before submitting.

Novels: 55,000 up to 95,000 words
Novellas: up to 50,000 words; must have at least 10,000 words

FyreSyde Word-Count specifications, FyreSydePublishing.com/queries

3. About Your Story (avoid giving away the plot)

Of course we want to know about your story. It’s the main reason you’re contacting us after all, yes?

FyreSyde has specific things we look for when it comes to deciding on whether or not we want to ask for a partial manuscript:

What we look for when reading pitches: Strong world development, deep character arcs, flawed characters, showing not telling, well-edited writing, original ideas, and consistent characters. Having these things will be more likely to land our interest as we are avid readers as well.

Found via FyreSydePublishing.com/queries

The same can be said of our fellow publishers. The more unique and strong your story is, the more apt we are to ask for a partial manuscript. If we like it enough, we’ll ask for a full.

A general rule of thumb: This is not the time to tell the publisher or agent (at least not FyreSyde) how badly we need your book. Please don’t do this. FyreSyde automatically rejects queries who say things like this.

You can include your main characters, the trials they face and the conflict we can expect in your story. You don’t have to give away the entire plot. Keep us guessing and wanting more.

4. Who You Are As An Author

Tell us a little about yourself but keep it about writing and publishing. What achievements have you accomplished? Have you attended any writing conferences, hosted any panels or received an award for your story? Now is the time to tell us. Keep it brief.

5. Tips from a Publisher

  1. Read the querying page in its entirety. By no means should the publisher or agent have to instruct you on how to query. FyreSyde experienced this many times during our first submission window. We will no longer be looking at queries that don’t follow our submission terms. It got ridiculous. So, please, read the submissions page. They are there for a reason.
  2. Keep it short. Don’t send two or three pages to the publisher or agent. One page is the comfortable maximum. Remember, we see many (and we mean many) queries we have to answer. This can be a source of auto-rejection for some agents and publishers.
  3. Make it exciting. An article via Nybookeditors.com that we found helpful when formulating a query letter had a great idea: Query in the tone of your book. It can be an amazing way to get us interested in what to expect.
  4. Build a rapport. Don’t just come to us and demand to query with us. Most of us have social media and like to engage as normal human beings (but a bit more professional). Getting to know us, following our social media and interating with our content can help when it comes to the querying phase. We might just help because we want to.
  5. Be Unique. Here at FyreSyde we treasure uniqueness in stories and in authors. We don’t like to see plots we’ve seen a million times. Be willing to be bold and show us who you are as a writer, not what the market expects you to be.
  6. Hire an editor (or have someone look over your letter). Many publishing houses require at least a rough round of editing and revision before even looking at a manuscript. The same can be said for a query letter. There is nothing more damaging than a query letter with missing words, bad spelling, incorrect grammar and poor wording. You’ve heard you never get a chance at a first impression?
  7. Be aware of submission windows. FyreSyde doesn’t even look at letters sent outside of these windows. They’re deleted immediately.
  8. Don’t be scared of us. Yes, FyreSyde may reject manuscripts and query letters but that doesn’t mean we’re something to be afraid of. We’re human beings just like you and often know what it feels like to be where you are. FyreSyde goes as far as to help critique query letters prior to submission.
  9. You are going to be rejected. Rejections happen all the time for a variety of reasons. Just because we reject one query, it doesn’t mean we’re going to automatically reject the next. If we have time, FyreSyde tries to say why we’ve rejected to help the author understand.
  10. Follow the template. Nybookeditors.com has a beautiful breakdown of how to format a query letter. It’s exactly what FyreSyde wants to see in the letters we receive.

If you liked this post, here are a couple of others that might help:

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NaNoProMo Day 29: Why Good Editing Is Good Marketing by @Alexandria_SZ

Day 29 of NaNoProMo is all about editing and how important it is in marketing your book by Dr. Alexandria Szeman.

Editors are there to make your writing look cleaner and more professional The hard truth is, unless you are willing to do some of your own, it can be hard to market your book.

This has become such a problem, especially with indie and self-published authors. So often, we see manuscripts that have not been looked at by a beta reader or read by another to spot preliminary problems. It can and most likely will result in an automatic rejection.

We require our authors to have their manuscripts read at least twice before they even submit to us.

Editors can be expensive, we know this, however, there are other ways to have editing done or get your manuscript cleaned up. Beta readers, critique partners and friends who have some editing experience can also help.

The point is, there is indeed, no excuse for good editing.

Excerpt:

Why IS Good Editing Good Marketing?


You’ve probably heard at least one fellow writer claim that s/he doesn’t have to worry about spelling or grammar or even plot-holes because, once the book is accepted by a publisher, the editor will fix any errors. Maybe that was true before typewriters were invented, but it wasn’t true when my agent was sending my first novel out to publishers 27 years ago.
The hard truth is that, unless you’re already a bestseller or a major celebrity with an established audience, no agent or editor will even look at your book unless it’s already well written and well-edited.
In traditional publishing, agents and editors are marketers: agents “sell” manuscripts to editors, who “sell” the books to the rest of the editorial staff before making the author an offer to publish. (Once the book is published, the bookstores, not the publishers, are the ones that literally sell the books to readers.) Agents and editors simply don’t have time to edit a book, especially not for unproven authors. And if you self-publish, your readers will expect your work to have the same quality editing that traditionally published books have.
That means whether you’re looking for agent representation, submitting directly to publishers, or planning to self-publish, anyone who reads your book has to be completely engaged by your story, has to like your writing, and should never notice that there’s anything that needs to be changed, i.e., edited. Good editing is essential for all books, but there are lots of different kinds of editing, only some of which is done by traditional publishers.

Dr. Alexandria Szeman, Why Good Editing Is Good Marketing

Where to find Dr. Alexandria Szeman:

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NaNoProMo Day 28: 5 Reasons Authors Should Market Themselves With Email by Conor Kelly

Day 28 of NaNoProMo (founded by Rachel Thompson) is all about emails and why authors should be willing to market themselves via email.

Email lists are used widely here at FyreSyde. We use them for our street teams, our blogger list and of course our newsletter. Having email lists can be crucial if social media should suddenly become useless. Where would you find those readers or get in touch with them?

Excerpt:

Email. We love it, we hate it.  We like to complain we get too much of it, but we’re also addicted to our inboxes.  If you’re an author who’d like to build a following, sell more books, and be seen as the go-to person in your industry, then this article will show you how – by using simple emails.
Without further ado, here are 5 reasons why every author should market themselves using email:

Conor Kelly, Reasons Authors Should Market Themselves with Email

Find more about Conor Kelly:

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NaNoProMo Day 26: 3 Reasons Authors Need a Content Strategy Now by @AbbieMood

FyreSyde has a saying: “Authors don’t always have to be authors.”

Why we say this has everything to do with one little word: content. Often, authors think they have to talk about nothing but writing and focus only on their books. This is not the case.

NaNoProMo Day 26 (founded by Rachel Thompson) offers three reasons why authors should focus on developing a content strategy courtesy of Abbie Mood.

Excerpt:

Why Is Content Marketing Important for Writers?


Over the past few years, content marketing has gained popularity as a marketing strategy. And rightfully so—businesses all over the world are successfully using blog posts and social media to gain customers, clients, and brand fans. In fact, content marketing converts people to paying customers at a rate SIX TIMES higher than other/traditional methods. While it’s becoming a no-brainer for businesses, content marketing and having a content strategy is just as important for solopreneurs, writers, and authors.
You might not realize it yet, but if you’re writing full-time or trying to become a published author, you’re running a business and it will greatly benefit you to think of it from that perspective. And that’s why a content strategy is integral to your success as a writer.

Abbie Mood, 3 Reasons Authors Need a Content Strategy Now

Where to find Abbie Mood:

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NaNoProMo day 25: How to Work With Book Bloggers (By a Book Blogger) by @Girl_Who_Reads

Book bloggers are crucial to the writing community. They offer their reviews free of charge (in most cases) and are willing to often take more than they can handle.

However, there is a right and a wrong way to work with book bloggers. Unfortunately many receive backlash for their honest reviews.

Thankfully, NaNoProMo day 25 (founded by Rachel Thompson) brings a book blogger to the table. In her article, Donna Huber offers details how to communicate properly with book bloggers.

Excerpt:

Make Friends With Book Bloggers
One of the top questions I hear from authors when discussing book discoverability and marketing is “What can I do that doesn’t cost a lot of money?”


My Response Is Always: Make Friends With Bloggers


Unfortunately, I see way too many authors only using bloggers as review generators and failing to make any kind of personal connection with them beyond the review pitch. Bloggers are an awesome resource to have in your toolbox, but one too many authors do not properly know how to incorporate this tactic into their marketing plans.
As more and more bloggers close to review requests, it is important for authors to find new ways to leverage the impact a blogger can have on a book’s success.
I have a number of publishers and publicists that contact me about traditionally published books. I can almost always tell when an email is from the traditional side of publishing from the first few lines. It is subtle, but it sets them apart from the indie and self-published pitches. Pitches from traditional publishing rarely begin with a request for review. Bloggers are pretty smart and already know that if an author/publisher/publicist is contacting them, they are hoping for a review.

Donna Huber, How to Work With Book Bloggers (By a Book Blogger)

More about Donna Huber:

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NaNoProMo Day 30: How to Create a Book Marketing Roadmap by @Beth_Barany

Marketing. We talk about it so much and find so much on the internet but still new authors struggle with how to go about it. It’s intimidating, horrifying and can, at times, be confusing.

NaNoProMo day 30 (founded by Rachel Thompson) offers a great roadmap on how authors can go about their marketing. Beth Barany shares some steps you can take to make marketing your book a bit less daunting.

Excerpt:

Why Market Our Books?


We writers want to be read. Otherwise, why would we publish our work? Well, it is so gratifying to hold the book and see it on the shelf. But it’s the readers’ joy in reading is what it’s all about. Otherwise, why publish?

To be read, we must market our books. How to do that can be overwhelming and feel like a big black box you can’t open because:
There are so many choices out there on how to market
There is so much advice on the “right” way to market that clashes — confusing! and
You may be afraid to actually to do the work because of well, many reasons. (I’ll address this aspect more below.)
To bring some clarity and offer an overview roadmap, let’s start by defining our terms.

Beth Barany, How to Create a Book Marketing Roadmap

Where else to find Beth Barany:

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NaNoProMo Day 20: How to Improve Your Email Newsletters Right Now by @SugarbeatBC

What would happen if social media suddenly went black? We’re talking no more tweets, Instagram death, Facebook crashing apocalypse. What would you do?

Enter your email list – one of the most powerful marketing tools in any business’ arsenal. These are the people who receive newsletters every month with exclusive goodies (or we hope you include them).

For NaNoProMo Day 20 (created by Rachel Thomson), Barb Drozdowich offers some insight as to how you can improve your newsletters. Don’t miss out on this valuable information.

Excerpt:

Many of the experts in the field focus on aspects of this communication which in the big picture don’t really matter. Or in some instances are detrimental to your ability to communicate with readers. In fact, it is my assertion that many of the experts in the field haven’t actually read any of the research in the field of communication with readers. They often repeat advice from others – assuming if someone is talking a good game, they must know what they are talking about.


In today’s post, we are going to mention two points of proven research and then talk about some ways to harness the power of that research to up your game.

Barb Drozdowich, How to Improve Your Email Newsletters Right Now

Find out more about Ms. Drozdowich:

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NaNoProMo Day 11: Why Writing Your Truth Is an Effective Marketing Strategy by Jackie Cioffa

So many times, we receive questions about what it means when we say that the author is a brand, not a book. We have written on this in the past but are pleased to see it brought back up as a part of NaNoProMo (created by Rachel Thomson).

Authors, whether you want to admit it or not, you are a brand. Do not fall into the trap of riding the coat-tails of a single title. Like the iPhone (and many other pieces of technology) a book title has a lifespan. Let it live it and move on but make your face (or name if you’re a recluse) the reason people know you.

Jackie Cioffa does an amazing job at keeping things real when it comes to book marketing in this article.

As always, here’s an excerpt:

When Bad Redhead Media’s Rachel Thompson reached out to me to write a post about promoting and marketing my books, my immediate thought was is she kidding? I have been an avid follower and fan of Rachel for nearly a decade, trying to emulate her badass self-publishing skills and as much of her marketing expertise as I could.


Luckily for me, Rachel is both a friend and respected colleague who willingly shares her pixie dust book magic and marketing strategies through BadRedhead Media, where many of her tips and tricks are free.
That’s right, free. I keep her article, How to Create Pre-launch Buzz For Your Bookbookmarked on my computer and her book, BadRedhead Media 30-Day Book Marketing Challenge right next to me.


When I finished the manuscript for my third novel, The Red Bench, and began hyperventilating, I knew I needed guidance. I turn into a toddler when it comes to all things promotion and marketing related. I reached out inquiring about a possible formatting contact, and Rachel kindly suggested Barb Drozdowich, from Bakerview Consulting, a wizard who turned my pulp fiction into an exquisitely formatted memoir.

 
I never quite understood what Rachel said over and over about the author is a brand, not the book until the release of The Red Bench, and the importance of building social media relationships, engaging, interacting, and not solely about your book. I had tried countless promos in the past with The Vast Landscape and Georgia Pine. I used Freebooksy, BookBub, Amazon Giveways, MailChimp, BookMarketing Tools—all with moderate success, yet becoming more and more frustrated.

Jacqueline Cioffa, author of The Red Bench

Find more about Jacqueline here:

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NaNoProMo Day 9: This Is How to Use Harder Work Links to Sell More Books by GeniusLink

Who knew using sites like bit.ly could help an author brand themselves? Apparently GeniusLink has some really good advice in the latest installment of NaNoProMo (created by Rachel Thomson).

Trust us, you do not want to miss the information in this article. We are definitely going to implement some of these things on our marketing team.

Below is an excerpt of what you can expect from this amazing article:

Do you know what harder working links are and how they can help you with your marketing and even sales?
As an author, you hear about a lot of great ways to maximize your income from your published work. Unfortunately, most advice around implementing new, or optimizing existing revenue is somewhat time intensive and often means taking something off your plate to make room for trying something new. Don’t get me wrong, experimenting and continuously trying new things is essential, but we are big fans of mastering the fundamentals first and picking the lowest hanging fruit.
One of those things we’d consider a marketing fundamental is the links you use in your marketing. You know, those things that actually take someone interested in your literary work and gives them a way to act on that interest and purchase your book. We are a bit biased of course, but we think the link is the most critical piece of any promotion (though a great call to action, solid copy, and an enticing visual are good contenders).  
It’s likely you already use links in every marketing and promotional project you work on. But stop for a second and ask, “Is that link working for you as hard as it could be?”
Let me quickly introduce you to what we call “intelligent links,” the hardest working links on the internet. These aren’t the links you copy out of your browser window or a shortened bit.ly links, but rather supercharged links that can help you sell more books and unlock a new stream of revenue. And the best part is that you are already doing the hard and time-consuming work, swapping in the use of “intelligent links” doesn’t take much extra time at all.

QuickLinks, https://www.geni.us/

Find more about QuickLinks at their sites below:

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NaNoProMo Day 8: How to Make Time for Book Promotion by Pauline Wiles

Daily life can get busy. With kids, work, writing, houses to clean, bills to pay, spouses, friends, the list can go on, it can get hard to make time for things like book promotion.

A large part of our day here at FyreSyde is seeking out new ways to help promote our authors. We understand how it can get strenuous.

NaNoProMo (created by Rachel Thomson of BadRedHeadMedia) day 8 offers a post by Pauline Wiles who offers some insight as to how you can make time to promote your book.

As always, here is a sample of what you can expect:

Making Time For Book Promotion


As authors today, we’re compelled to juggle more tasks and responsibilities than ever before. Given the colossal effort you’ve invested in writing and publishing your book, you know you’d be crazy not to dedicate some energy to promoting it. But with all that’s going on in your life, how do you make the time for this?
Here are four different approaches to carving out some precious minutes or hours for boosting your book. Experiment with these, and you’ll find they’re a big help in making sure you undertake regular promotional activities, without becoming completely overwhelmed by all you have to do.

Pauline Wiles, author of Indie With Ease

Find out more about Pauline Wiles:

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NaNoProMo Day 6: Three Reasons Why Branding Shouldn’t Make You Lose Your Mind by CStreetLights

Whether or not we want to admit it. As an author, you are a brand and need to focus on becoming a brand. An important part of business is say it with me: “Brand recognition.” Book titles will come and go but you as a marketable person will stay the same. People identify with brands they’ve come to trust.

Imagine this, how often do you walk into an Apple store and someone asks you if you only want an iPhone? Probably doesn’t happen anymore does it? Why? Because Apple is more than its iPhone. The iPhone is a product of Apple, the brand.

Ask any author like JK Rowling or Stephen King and they most likely will tell you; “Yeah, I wrote that book but it’s not me.” Their name is their brand. You don’t have to have a publishing company to be a brand, that’s a choice.

Enter NaNoProMo Day 6 (created by Rachel Thomson of BadRedHeadMedia). CStreetLights brings you an article on why being a brand isn’t a bad thing and why it shouldn’t drive you into an Exorcist fit.

Here is an excerpt from the article:

If you’re like me you were probably resistant to the ideas of “branding” or “building your brand.” A lot of writers are – no judgment here. In fact, tell me if any of this sounds familiar:
“I don’t want to become fake to my readers.”
“I don’t want to become just a logo who writes what she’s supposed to write about, not what she wants to write about.”
“I don’t want to become a product and lose my identity.”
If anything similar to these thoughts has ever crossed your mind about the concept of branding, my friends, then I totally get you because I felt the same exact way. In fact, I went through a massive existential crisis over it because I redesigned my website at the same time.

C. StreetLights, author of Tea and Madness

Find out more about C.Streetlights at the links below:

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NaNoProMo Day 5: 20 Quick Book Marketing Ideas You Can Do Now! by MixtusMedia

Marketing can be as intimidating as public speaking. However, the hard truth is, even if you choose to go the traditional publishing route, you are still your best marketing tool. While some publishers will do their best to make sure you and your book get adequate coverage, we can’t do it all.

FyreSyde strives to treat its authors like family. We will market you and your book long after you’ve published. In the end, you, the author will need to do your part.

This is where Day 5 of NaNoProMo (created by Rachel Thomson of BadRedHeadMedia) comes in. Jean dePaula of MixtusMedia offers 20 quick ideas you can use in your book marketing right now.

Here is what you can expect in this amazing article:

If there is one common thread that runs through every author it’s this: we don’t have enough time! For writing, for book marketing, for any of it (whatever it is).
Sometimes when we see a huge task ahead of us, like book marketing, we tend to focus on it as a whole. And that can be overwhelming – which can make many of us put it off for another day, or just give up on it altogether.
But when we break it down a bit, there is actually a lot we can get done in just a few minutes a day.
So I thought I would share some tasks that take 10 minutes or less that will vastly improve your book marketing.
These are tasks that can be done quickly during your lunch break, while you’re waiting in line to pick up your kids from school, or even during commercials breaks while watching your favorite show. It helps you get things done – and each task usually takes less time than you thought.

Jean dePaula, owner of MixtusMedia

For more information, please check out these links:

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NaNoProMo Day 4: This Is How To Get Easy Author Publicity by SmartAuthors

Ah, publicity. The word every author dreams of when it comes to their title and their name. How good would it feel to be the next JK Rowling, Stephen King, Jim Butcher or Stephanie Meyer? Probably pretty good. Unfortunately, in today’s market, that’s not going to happen. BUT! That doesn’t mean an author can’t get publicity for their brand.

Belinda Griffin from SmartAuthors brings you easy ways to get author publicity for NaNoProMo Day 4 (created by Rachel Thomson of BadRedHeadMedia). As always we have included an excerpt for our readers to check out.

As a self-published author have you ever sighed with envy as you watch another author – most probably trade published – chat about their book on the sofa of a popular TV show? Or maybe you’ve been listening to a podcast or radio show and realized that someone else is getting book publicity you can only dream of?
But is it only a dream? Is it, in fact, possible to land yourself some awesome author publicity?

Belinda Griffin, author of Ready To Find The Best Book Launch Plan For You?

Find out more about Belinda and SmartAuthors at the links below:

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NaNoProMo Day 3: Pitching: What You Need to Know Now by Blaise Ramsay

Day 3 of NaNoProMo is all about pitching, written by our own Blaise Ramsay. Pitching can be daunting, especially when you’re not sure what constitutes as a strong pitch. Maybe you’re not sure what an elevator pitch is or how a pitch is different from a query letter.

Check out the full article. Pitching: What You Need to Know Now by Blaise Ramsay

Here is an excerpt of what you can expect:

Let’s talk about your pitch today.
The publishing world is a struggle. With agents receiving multiple submissions from multiple authors, it is easy for your manuscript to get lost in the author’s proverbial nightmare: the “slush pile.”
As a publishing company and as professional book reviewers who request a pitch, often times we see the author sending us things like reviews or rewards the author’s book has received. This is not what an agent, publisher or book reviewer wants or needs immediately when asking for a pitch.


Recently, FyreSyde Publishing has been working to open up submissions to help authors looking for representation. Though we do not require agents (yet), we do expect an elevator pitch prior to receiving a query letter.
For #NaNoProMo 2019, we are delighted to bring authors a better understanding of what a pitch is, how you can properly write an elevator pitch and provide some steps on how you can write an award-winning pitch that can land you an agent.

Blaise Ramsay, author of the paranormal romance Blessing of Luna